The Sacred Geometry & Sanatana Dharma of Leonardo da Vinci’s Salvator Mundi - Part 2

In Part One I pointed to the central geometric key of Leonardo’s Salvator Mundi without illustration. I wrote: “For now I will just say that the radius of the transparent globe is contained in the “savior’s” hand gesture, reminiscent of the hand gesture of Leonardo’s St. John the Baptist, and it determines the proportions and underlying occult or hidden sacred geometry of the entire painting. Thus the painter was clearly aware, on some level, of the connection between the Divine Son and the sacred geometry of the circle.” In Part Two I am illustrating and discussing this sacred geometry which is not only a key of Leonardo’s painting, but a key of the much misunderstood ideology and symbolism of the Divine Son.